“..good philosophers prune the chaos of reality and train it into fixed shapes”..
John
Fowles Tree 1983
There are the situations where the landscape type image inside a forest stand is not pleasing. There is much overlapping of variable size
trees and shrubs and confusing tangles of branches . Two approaches can be effective.
In the first I
embrace the chaos and submerge my mind
in the beauty of the ugliness. I may even seek mysterious scenes.
I still shoot wide angle images, accepting the intricacies of nature. I may subtly think of composition but I do not let it interfere with my enjoyment of the mystery and magic of the natural web .
In the end in deference to my instinctive photography mind I am forced to give the image some resemblance of structural composition ( third and fourth image).
Using the second approach, I try to distill the scene by
locating an interesting element, or elements, and concentrating on it. I still shoot wide angle images, accepting the intricacies of nature. I may subtly think of composition but I do not let it interfere with my enjoyment of the mystery and magic of the natural web .
In the end in deference to my instinctive photography mind I am forced to give the image some resemblance of structural composition ( third and fourth image).
I may change to a long focus lens and make the
selected element the centre of attention in the composition (fifth image).
This approach is often used as an alternative to scenic images and is termed ‘intimate landscapes’. It is an useful tool in forest photography for improving the visual effect of images from seemingly unattractive forest stands.
This approach is often used as an alternative to scenic images and is termed ‘intimate landscapes’. It is an useful tool in forest photography for improving the visual effect of images from seemingly unattractive forest stands.
In the sixth
image I needed to show the impact of
bark beetle infestation and devastated conditions of the stands, a rather unsightly
scene. I opted to emphasize the crisscrossed fallen trees as a element of the composition
and to benefit from the late evening light - adding bluish hue to fallen trees and background
sunset colors.
Scenic ,
intimate landscapes , hidden landscape, microlandscapes - the semantics is not so important as the power of
observation to find and isolate interesting elements and to portray them in true and attractive interpretation. Walker Island Forest, Bella Coola Wet Coastal Forest. Coastal Western Hemlock Zone. |
Sasquatch Provincial Park, BC. Wet Coastal Forest. Coastal Western Hemlock Zone. |
Intersecting lines of the branches and of the fallen tree create an effective image of the dense low forest stratum. Wet Coastal Forests, Coastal Western Hemlock Zone. Bella Coola, BC |
Interesting element emphasized by framing it between western redcedar trunks. Walker Forest, Bella Coola, BC Wet Coastal Forest, Coastal Western Hemlock Zone. |
Lodgepole pine stand devastated by bark beetle infestation and by wind damage. Subalpine Interior Forests, Montane Spruce Zone, Kloakut Lake, Chilcotin, BC. |
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